Lista de reproducción
Canciones
| Titulo | Duración | Acciones |
|---|---|---|
| dizzy-gillespie-quintet-salt-peanuts | 3:14 |
|
| ella-fitzgerald-sophisticated-lady | 5:22 |
|
| duke-ellington-charles-mingus--fleurette-africaine | 3:37 |
|
| charles-mingus-quintet-ill-remember-april | 9:59 |
|
| clifford-brown--delilah-1 | 8:11 |
|
| bud-powell-my-heart-stood-still | 3:29 |
|
| drivaman | 5:19 |
|
| clifford-brown--jordu | 6:49 |
|
| clifford-brown-the-blues-walk | 6:45 |
|
| miles-davis-my-old-flame | 3:18 |
|
| triptych-prayer-protest-peace | 8:11 |
|
| abbey-lincoln-lonesome-lover | 7:8 |
|
| mop-mop-8161992-newport-jazz-festival | 3:26 |
|
| clifford-brown-memories-of-you | 3:46 |
|
| freedom-day | 6:10 |
|
| bud-powell-polka-dots-and-moonbeams | 4:1 |
|
| clifford-brown-parisian-thoroughfare | 7:17 |
|
| effi | 6:18 |
|
| its-time | 6:46 |
|
| garvey-s-ghost | 7:55 |
|
| cecil-taylor-solo-piano | 55:42 |
|
| miles-davis-tune-up | 3:56 |
|
| buddy-rich-figure-eights | 4:33 |
|
| charles-mingus-love-chant | 7:27 |
|
| the-drums-also-waltzes | 4:9 |
|
| sonia-the-sonny-clark-trio | 5:16 |
|
| south-africa-goddamn | 20:10 |
|
| all-africa | 8:6 |
|
| 4-in-east-berlin-good-bait | 11:46 |
|
| charles-mingus-feat-charlie-parker-and-dizzy-gillespie-perdido | 7:44 |
|
| clifford-brown-gertrudes-bounce | 4:12 |
|
| clifford-brown-sandu | 4:54 |
|
| january-v | 3:16 |
|
| soul-eyes | 6:7 |
|
| we-insist-s-freedom-now-suite | 37:22 |
|
| stompin-at-the-savoy | 6:28 |
|
| clifford-brown-what-am-i-here-for | 3:8 |
|
| quintet-plays-blues-waltz | 6:26 |
|
| equipoise | 6:22 |
|
| drums-conversation | 3:51 |
|
| you-stepped-out-of-a-dream-by | 7:56 |
|
| valse-hot | 14:22 |
|
| 4-in-east-berlin-giant-steps | 11:14 |
|
| rumble-in-the-jungle-1979 | 7:19 |
|
| spirit-possession | 6:41 |
|
| transcription-jodies-cha-cha-from-the-album-deeds-not-words | 5:21 |
|
| miles-davis-charlies-wig | 2:44 |
|
| nommo-in-7-4-by | 12:49 |
|
| absolutions | 4:41 |
|
| woody-n-you | 6:53 |
|
| lotus-blossom-by-y0ung-hae-chang-heavy-industries | 6:12 |
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| clifford-brown-swingin | 2:51 |
|
| booker-little-we-speak | 6:48 |
|
| clifford-brown-blue-moon | 3:14 |
|
| buddy-rich-vs | 4:13 |
|
| the--trio-featuring-the-legendary-hasaan-pay-not-play-not | 8:9 |
|
| drums-unlimited-hd | 4:24 |
|
| there-will-never-be-another-you | 5:53 |
|
| abbey-lincoln-when-malindy-sings | 4:4 |
|
| booker-little-1958-deeds-not-words-3-its-you-or-no-one | 4:18 |
|
| buddy-rich--the-casbah | 4:28 |
|
| free-for-c-t | 6:58 |
|
| filide | 7:11 |
|
| man-from-south-africa | 5:13 |
|
| hope-so-elmo | 3:53 |
|
| savage-jazz-dance-company-mboom | 5:22 |
|
| clifford-brown--parisian-thoroughfare | 7:15 |
|
| deeds-not-words | 4:37 |
|
| love-letters | 8:56 |
|
| mop-mop | 5:16 |
|
| swingin | 2:53 |
|
| birth | 9:41 |
|
| larry-larue | 5:17 |
|
| blues-for-jp | 9:18 |
|
| billies-bounce | 5:38 |
|
| mama | 4:51 |
|
| chi-chi | 3:5 |
|
| straight-no-chaser-8161992-newport-jazz-festival | 7:38 |
|
| bird-says | 12:55 |
|
| ill-take-romance | 4:34 |
|
| libra | 4:56 |
|
| members-dont-git-weary | 5:33 |
|
| sonny-rollins-the-most-beautiful-girl-in-the-world | 5:33 |
|
| ghost-dance | 12:14 |
|
| crackle-hut | 5:54 |
|
| mendacity | 8:55 |
|
| three-four-vs-six-eight-four-four-ways | 5:41 |
|
| sextet-st-louis-blues | 5:41 |
|
| almost-like-me-hasaan-ibn-ali-et | 6:45 |
|
| old-folks-jackie-mclean-4tet | 6:34 |
|
| living-room-big-sound | 7:28 |
|
| jacqui | 5:13 |
|
| yardbird-suite | 3:56 |
|
| abstrutions | 3:42 |
|
| praise-for-a-martyr | 7:11 |
|
| just-one-of-those-things-1953 | 3:20 |
|
| the-loadstar | 1:43 |
|
| his-orchestra-and-chorus-sunday-afternoon | 6:31 |
|
Discografía
| Año | Nombre |
|---|---|
| 1963 | Money Jungle |
Descripción
Jazz
Max Roach (Maxwell Lemuel Roach, New Land, del Condado de Pasquotank, de Carolina del Norte, 10 de enero de 1924 - Nueva York, 16 de agosto de 2007) fue un músico estadounidense de jazz, baterista y compositor.
A partir de 1942 trabaja en los clubes de la Calle 52, donde en esos momentos estaba surgiendo el bebop. Influido por Kenny Clarke, se convierte muy pronto en uno de los bateristas preferidos de Charlie Parker y Dizzy Gillespie, ambos líderes del movimiento bebop.
En otoño de 1945 graba los famosísimos "Billie´s Bounce" y "Now´s The Time", con Parker y Gillespie, a quien acaba de unirse el joven Miles Davis.
En mayo de 1954, codirige con Clifford Brown, un quinteto de hard bop que se impone rápidamente como prototipo de este estílo. Por este grupo pasan músicos como: Harold Land, Sonny Rollins, Richie Powell, Teddy Edwards y luego tras la muerte de Clifford Brown en 1956, le reemplaza por Kenny Dorham. Continúa colaborando con otros músicos como Mingus, Sonny Rollins, T. Monk. En julio de 1958 reemplaza a Dorham por el joven trompetista Booker Little.
Muy sensibilizado con la lucha de los negros, intensificadas a lo largo de ese mismo período, introduce en su arte una dimensión deliberadamente política y abre las puertas a la voz de Abbey Lincoln, quien, más tarde, se convertiría en su esposa. En octubre de 1961, la muerte de Booker Little, le priva, nuevamente, de un compañero excepcional.